“Fear is very easy to grow. Love is also very easy to grow. We are focused on promoting messages of love and joy. A fruit tree is a great symbol of generosity. And fruit trees are endlessly giving (fruit) without expecting anything in return. :)” – David and Austin of Fallen Fruit
Curated by Catherine Flood and May Rosenthal
Opening on Saturday, 18 May 2019 at the Victoria and Albert Museum in London
get tickets HERE
join us for our Fallen Fruit Magazine, V&A edition HERE
From gastronomic experiments to urban farming, this exhibition brings together the politics and pleasure of food to ask how the collective choices we make can lead to a more sustainable, just and delicious food future.
This exhibition explores how innovative individuals, communities and organisations are radically re-inventing how we grow, distribute and experience food. Taking visitors on a sensory journey through the food cycle, from compost to table, it poses questions about how the collective choices we make can lead to a more sustainable, just and delicious food future in unexpected and playful ways.
The Exhibition will feature a major new commission by artists Fallen Fruit who will create a bespoke 12-metre squared wallpaper for the museum and maps of available fruit in the city. This will draw on the V&A’s collections and the horticultural history of the site – which was once an important nursery for fruit trees – to explore the past and contemporary role of fruit in creating shared culture. –more HERE.
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Make a collaborative magazine with art collective Fallen Fruit using collage making and storytelling. Everyone is welcome. HERE
We exceeded prior attendance records at Newcomb Art Museum and our installation ‘Theater of the Sun’ was the most instagramed site in Palermo! We were in the NY Times twice! Here are some highlights of 2018:
Fallen Fruit of New Orleans- Endless Orchard! 300 fruit trees in New Orleans!
EMPIRE our exhibition at Newcomb Art Museum, New Orleans
LOWER 9 FRUIT PARK, New Orleans
PONTCHARTRAIN FRUIT PARK, New Orleans
FALLEN FRUIT MAGAZINE – New Orleans Edition
THEATER OF THE SUN Manifesta 12, Palermo
ORANGE YOU GLAD I DIDN’T SAY BANANA Manifesta 12, Palermo
FRUIT COCKTAIL Fallen Fruit at Manifesta 12, Palermo
CONSUMED by Ligaya Mishan in the NY Times Magazine
TODO INCLUIDO: Estás Como Mango Remixed, OPC, Puerto Vallarta
FALLEN FRUIT interview by Cameron Shaw
FALLEN FRUIT OF SAN BERNARDINO
ORANGE YOU GLAD I DIDN’T SAY BANANA– San Bernardino
RIM OF THE WORLD FRUIT PARK, San Bernardino County
MOJAVE RIVER TRAIL HEAD FRUIT PARK, San Bernardino County
HISTORIC VICTORVILLE FRUIT PARK, San Bernardino County
FALLEN FRUIT MAGAZINE! San Bernardino Edition!
PUBLIC ART NETWORK AWARD Stoneview Nature Center
THE ENDLESS ORCHARD at Manual Arts High School
Fallen Fruit’s first ever MASTER CLASS at Stoneview Nature Center
PANORÁMICA, Ex Convento del Carmen, Guadalajara, Mexico
ART NEWS MAGAZINE Cover and “15 L.A. ARTISTS TO WATCH”
ART INSTALLATIONS and PUBLIC ART CURRENTLY ON VIEW:
ALL TOMORROW’S PARTIES The Bunker, West Palm Beach
THE PRACTICES OF EVERYDAY LIFE 21C Museum Hotel, Louisville
THE MONUMENT TO SHARING at Los Angeles State Historic Park
| A special thank you to Manifesta, Newcomb Art Museum, Pelican Bomb, A Studio In the Woods, San Bernardino Arts Council, Garcia Center for the Arts, OPC, New Orleans Department of Parks, CSED, Palazzo Butera, 21c Museum Hotel, Beth Rudin DeWoody and The Bunker, Joanna Glovinsky, and everyone who joined us on our journey this year! |
Fulcrum Arts is a 501(c)(3) charitable organization. Donations to Fallen Fruit are tax deductible to the full extent of the law under Federal ID 95-2540759.
Fallen Fruit is part of Manifesta 12, the twelfth edition of the European nomadic biennial, taking place in Palermo from 16 June until 4 November. The Fallen Fruit art installation will be at the magnificent Palazzo Butera of Palermo, located in the historical Kalsa district.
The Planetary Garden. Cultivating Coexistence is curated by By Manifesta 12 Creative Mediators: Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, Mirjam Varadinis.
We mapped the fruit available for everyone to share in Palermo and maps are available at Butera or online at the Endlessorchard.com/palermo
Teatro del Sole- by Fallen Fruit, David Allen Burns and Austin Young, 2018 installation
Manifesta 12 Palermo consists of more than 40 newly commissioned projects, public interventions, and performances held in various venues spread around Palermo’s neighbourhoods. Manifesta 12 Tickets allow visitors to discover ground-breaking projects inspired by the Manifesta 12 Palermo curatorial concept The Planetary Garden.Cultivating Co-existence, many of which are visible in public spaces and no ticket is needed.
Fallen Fruit (David Burns and Austin Young)
Bananas in 3 Colors
Letterpress on Crane’s Ecru 134#
Edition of 30, 6 APs, 2 PPs
19.625 x 15.625″
2017
$900 (price increases in three tiers of 10 as prints are sold)
Free Worldwide Shipping
*All proceeds from the print will benefit Fallen Fruit, the Endless Orchard, and planting fruit trees in public space for everyone to share.
Purchase on our store here: FALLEN FRUIT STORE
or Email Fallen Fruit if you’d like to purchase the print with a tax deductible donation.
Fallen Fruit (David Burns and Austin Young) has created a unique print in collaboration with Bert Green Fine Art in Chicago, and Aardvark Letterpress in Los Angeles. Fallen Fruit work with fruit as a medium to involve the public, create communities and initiate narrative by engaging through workshops and individual works of art. This print is made using fluorescent ink, and changes radically when viewed under a black light.
What if there was a rainbow fruit orchard along a 13 mile walking trail to the beach??
Let’s celebrate the opening with the surrounding community on April 8th and WE invite you to make salsa, guacamole and salsa dance with us!
🙌🏻🦄🎉:
thank you so much!
Austin and David
Neighbor’s of Stoneview Nature Center: The artists need your help to complete the artwork for the park. They are looking for family photographs from the neighborhood from the 1950’s to present. Bring one to the opening event and we can scan it or email them to the artists, info@fallenfruit.org All submitted material will go into the community building or exist in an online archive of the Blair Hills neighborhood. Also, handmade chandeliers are being created from spoons, and forks and butter knives or similar from family homes in the area. Do you have any stray utensils you could donate to be a part of the project?
“The 5-acre Stoneview Nature Center two miles west of Stocker — and itself a stop on the Park-To-Playa Trail — sees Fallen Fruit’s integral design elements in a more conceptual but still absolutely edible landscape integrated into the new construction’s progressive municipal design/build award. Co-proposed with Ehrlich Yanai Rhee Chaney Architects, AHBE Landscape Design, and graphics by Omnivore, the site is a sustainable, multi-use vision for a community center featuring outdoor kitchen and gathering areas, art installations based on the neighborhood’s history, and at its heart, Fallen Fruit’s organic rainbow of living colors, rich symbolism, and narrative in the form of free harvests of pomegranates, lemons, oranges, avocados, grapes, berries and figs. The Center opens April 8, 2017 to residents, with official events planned 10am-2pm. “ – Shana Nys Dambrot, Huffington Post.
Take a look at our new STORE! Double win – you get something beautiful and the knowledge that you are giving back. All proceeds from our wrap scarves go to The Endless Orchard. Celebrate with us! Get 20% off your first order through December 1st. Use the code ‘FRUITCAKE’ when you checkout. www.fallenfruit.org/shop
You can also find our wrap scarves at 21c in Louisville and the Cooper Huitt Museum Store in NYC.
Fallen Fruit’s new Site-specific installation for 21c at Proof On Main on view through 2018.
David Burns and Austin Young/Fallen Fruit, (American)
The Practices of Everyday Life, 2016
Mixed media, including wallpaper, painting, prints, and found objects
“Fallen Fruit’s immersion into the people and places that have shaped this community reveals a multitude of stories and connections in a visually dazzling and profoundly genuine expression of place making,” said Alice Gray Stites, 21c Museum’s ground-breaking director and chief curator. “21c is proud to have commissioned an ambitious project that is truly locally engaged and globally connected. The installation addresses a universal aspect of the human condition, hunger-to be fed, to be seen, to belong, to be loved. The persistence of these desires fosters the continuity of ritual: the practices of everyday life don’t really change-we eat, drink, we talk, we congregate and celebrate in ways that would be recognizable to our forbears at least a century ago-these acts retain meaning and promise.”
David Burns and Austin Young, who work as the duo Fallen Fruit, explore and transform located geographies and narrative histories at the intersections of public and private spaces. This site-specific commission is inspired by a wide range of definitions of “the public,” from the stranger or passerby to the vast public spaces of the Internet, and includes collective histories found in native and creationist mythologies, generational knowledge, and public and private archives.
“We created a work of art in the form of an art installation at Proof on Main that celebrates people and place using source material from architectural salvage yards, historical images, personal diaries, amateur films, and ephemera from Louisville, Kentucky and Southern Indiana,” explain the artists. Constructed from dozens of individual photographs, texts, and objects, their research-based work is intended to celebrate the culture of place. The selection of each photograph, wall treatment, or object is deliberate; even the seemingly obtuse or misplaced is carefully chosen to create contrast and to explore conflicting shifts in meaning. The artwork intimately explores the boundary of what is “public” and what is “private.”
At 21c, Fallen Fruit’s custom wallpaper patterns represent the spectrum of historical, environmental, and cultural characteristics of Louisville, Kentucky. The wallpaper in Proof lounge features photographs of the pear tree blossoms that line sidewalks downtown and other parts of the city. The experience of love blooms, wanes, returns, and revives in the sculptures, photographs, and other objects that constitute It Happens To Everyone Some Day / The Last “Gay” Bar In America. Images of notable citizens like Henrietta Bingham, David Williams, Stephen Irwin, and others hang beside contemporary pin ups, evoking endless tales of passion, romance, heartbreak, and inspiration.
The red dogwood blooms seen in the main dining room’s wallpaper pattern reference a Cherokee creationist myth, while the framed artworks hanging here represent the pre-contact culture of this region prior to 18th century European settlement. Kentucky once served as a hunting ground for native cultures. Later trading posts drew in both settlers and natives. The bison and landscape photographs were taken by the artists at Goshen County’s Woodland Farm in 2016. Taxidermy bison busts hang near the restaurant windows; their majestic features are mirrored in the pop-art portraits hanging amid photographs of forests and rivers, Native Americans, as well as historical documents, and other ephemera. The images of Native Americans come from the archives of the Library of Congress, and include 20th-century portraits for which sitters were sometimes costumed, posed, and paid to represent cultures that were already doomed by European-American expansion.
In the west dining room, Farm To Table / 1864 to 2016 honors Kentucky’s agrarian roots, which have sustained this community for over two centuries: the space is wallpapered with images of vegetables and fruits grown at Woodland Farm, some of which are served in the restaurant. Images of some of the complex histories about Kentucky evoke contemporary issues that persist in the United States today, including our relationship to food production, systemic poverty, and urban development. And in the private dining room, Love Is All You Need pays homage to 21c founders Laura Lee Brown and Steve Wilson: the paintings and objects on view here are drawn from their personal collections, while the wallpaper features patterns of the flowers grown in the gardens of their home in Oldham County.
“The practices of everyday life,” explain the artists, are “everyday interactions by everyday people that create community and generate the stories that become history and mythology. It is the both the extraordinary and the overlooked that together simultaneously make a place special and unique. There are moments in life that we share communally, often regionally, and sometimes generationally, that are meant to be celebrated, shared, and remembered. These moments may be discovered in the mundane, or hidden away in archives for future generations. We are interested in the idea of the public, citizenship, and community, and how everyday people are poets and scribes and artists and documentarians as much as they are strangers, neighbors, and friends. As artists, we realize that it is not one particular story that tells the truth about a place. Instead we believe that community is formed by many different people’s stories and collectively these stories about place and people form the cultural bonds we celebrate and honor through local traditions and more.”
Founded in 1778, and named after King Louis XVI of France, Louisville has negotiated boundaries and bridged shifts between “here and there” from the beginning. . Defined by the Ohio River on the north and the west, it was once frontierland at the edge of the United States; until 1816 it functioned as a gateway to the West. The area served as a boundary between the North and the South during the Civil War. Enslaved African Americans escaped to freedom here, where the Underground Railroad crossed the river. The word “Kentucky” translates from native languages as “the blood of the land”) but it also can mean the “place of tomorrow.” It was the beginning and end of the explorations of Lewis and Clark. In the 20th century the federal government twice obstructed river access, first by installing massive flood control walls following the great flood of 1937, and later in the 1960’s by building interstate highways that block the city’s relationship to its waterfront.
While the artists found diversity and difference in the city, they say, “We learned that one thing Louisvillians have in common is that they are neither Southern nor Northern, not from the West coast or the East coast; they are kind, welcoming people from an important region of Kentucky that has a long history in the United States, and a pride in heritage and love of family that is both steadfast and true.” Young and Burns note that Louisville is home to several expansive historical archives that contain vast collections of photography, film, personal effects, legal documents, and ephemera. They add, “These types of archives exist in most major cities in the United States, however the depth and breadth of the archives at the Carnegie Center for Art and History, the Indiana Room at the New Albany Public Library, the University of Louisville, and the Filson Historical Society are models for the entire country .”
“The archival materials for the installation project activate selected images that explore meanings of everyday life through the lenses of other people’s cameras,” observe the artists. “We use language and phrases excerpted from the page’s other peoples’ notebooks and diaries-although the display of the artwork renders authorship of the material anonymous. After all, our collaboration is with people who we cannot ever really know.”
Some of the images the artists installed may seem cliché or banal, while others offer challenges. . The content selected spans several generations, from the mid-1800s to the present day. By their nature archives often contain things that were once private; personal meanings from other peoples’ lives get replaced over time, becoming signifiers that represent a broader understanding. Often the subjects of the stories that have been isolated and removed from context in hard to find file boxes become transformed in a new context that speaks to and reflects contemporary experiences.
“We believe that contemporary art has the ability to shift vision, alter meaning and explore humanity,” say Burns and Young, “In these ways both abstraction and collage may appear beautiful to a stranger or passerby, and at the same time could also inspire an in-depth discovery of the sundry and nuanced complexities embedded in these images, objects, and documents from other people’s lives. The element of chance is an important part of any discovery. It is the unexpected message you may come across in daily life that redirects your attention, or that important ,’glimpse in a mirror’ that creates a short pause, or an unexpected rainbow you see on a landscape that makes you smile regardless of age. This opportunity to allow the unexpected into our lives may change a perception of space and an experience of time even for a short moment. Like a breath or a pause in movement, a flicker in an old film, a pop on an old recording, these glitches are a form of magic that reminds us that life is really happening in the moment and we are all in the process of living it with everyone around us. In these ways both the extraordinary and banal become temporarily equal and these forms of collective experience become integrated with our own individual authorship of life-in a very basic way we have no other choice.”
“We are interested in the idea of the public, citizenship, and community, and how everyday people are poets and scribes and artists and documentarians as much as they are strangers, neighbors, and friends,” say the artists.
Exhibited Works
Installations:
It Happens To Everyone Some Day / The Last “Gay” Bar In America, found frames, found photography from the archives of Emily Bingham, David Williams, John Lair, Bill Carner, Letitia Quesenbarry and the archives at the University of Louisville, original pin-up photography, found objects, custom soundtrack and video playlist on Youtube, 2016
Kentucky / , found frames, found taxidermy busts, original photography from Goshen, Kentucky, found photography from the Edward Curtis collection at The Library of Congress, 2016
Farm To Table / 1864 – 2016, found frames, found objects, found photography, 2016
All You Need Is Love, found objects from personal collections and archives of Laura Lee Brown and Steve Wilson, 2016
Sculpture:
Bizarre Love Triangle, found objects, epoxy acrylic paint, 2016
The Golden Pussy, found object, gold leaf gilding, 2016
It Feels Like The First Time, found object, epoxy, acrylic paint, 2016
#PARTY, found object, epoxy, acrylic paint, 2016
The Innocents, found object, found locket necklaces, portraits of the senior class from a 1964 yearbook, epoxy, acrylic paint, 2016
Acknowledgments:
Fallen Fruit and 21c Museum Hotel are deeply grateful to the Carnegie Center for Art and History, New Albany, the Indiana Room at the New Albany Public Library, the University of Louisville, and the Filson Historical Society for granting the artists access to their archives. We also wish to acknowledge the generosity of the Indiana Room and the Carnegie Center for providing many of the images and documents featured in The Practices of Everyday Life. Additional materials were made available by the Library of Congress, and by individual members of this community, including Laura Lee Brown and Steve Wilson, Emily Bingham, David Williams, and others.
ABOUT 21c MUSEUM HOTEL
A multi-venue museum, 21c was founded by Laura Lee Brown and Steve Wilson, contemporary art collectors and preservationists who are committed to bringing works of art to the public through innovative exhibitions and programs that integrate contemporary art into daily life. 21c Museum presents a range of arts programming curated by Museum Director, Chief Curator Alice Gray Stites, including thought-provoking solo and group exhibitions that reflect the global nature of art today, as well as site-specific, commissioned installations, and a variety of cultural events. The organization collaborates on arts initiatives with artists and organizations worldwide, including North Carolina Museum of Art, MASS MoCA, Contemporary Art Museum Houston, The Barnes Foundation, Contemporary Arts Center, Cincinnati, Creative Capital Foundation, and others. Since opening in Louisville, KY in 2006, 21c Museum has presented more than 85 exhibitions, including Cuba Now!;?Alter Ego: A Decade of Work by Anthony Goicolea; Blue: Matter, Mood, and Melancholy; Aftermath: Witnessing War, Countenancing Compassion; Hybridity: The New Frontier; Seeing Now; Dis-semblance: Projecting and Perceiving Identity; Albano Afonso: Self-Portrait as Light; and Pop Stars! Popular Culture and Contemporary Art
Support our KICKSTARTER.
We are expanding the Urban Fruit Trails in neighborhoods & expanding the Endless Orchard app in 2016. Please support public fruit!
PLANT, MAP, AND SHARE FRUIT!
The Endless Orchard is a collaborative movement of citizens transforming their own neighborhoods.
The project relies on those who know a city best – the people who live there – to envision what their own neighborhood would be like with the addition of trees bearing fruit, knitted together with other neighborhoods by pathways of apples, peaches, apricots and pears.
Fruit trees planted to grow along sidewalks and overlooked urban spaces become an invitation for the public to explore and enjoy cities in a new way.
Signage placed at each tree explains that this is part of a network of Urban Fruit Trails and that fruit is a symbol of sharing with others.
The California State Historic Park becomes a central landmark and a site for the ‘Monument to Sharing’ leading to Urban Fruit Trails that reach into neighborhoods around Downtown Los Angeles and out into the world.
COMMUNITY CALL TO ACTION — Fallen Fruit is fund-raising for expanding public fruit in public space. It is easy to change your neighborhood and transform public space. Everyone can participate!
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Fallen Fruit (David Burns and Austin Young)
Join us! Opening day, A Day in Paradise, will feature site specific art works by Oregon based artists and it’s free for everyone! Look here.
Portland Art Museum
OCT 24, 2015 – JAN 17, 2016
“…I was upon the summit of a tall mountain which commands a bewildering prospect of that loved valley… The birds of autumn caroled their soft melodies around, and the blushing flowret bent at the feet of the intruder… Away to the north was the smoke wreathing above the trees which clustered around the lone mission-house and I thought there was an altar to God, and incense from the bosom of the wilderness.”
—Excerpt from A Sketch of the Oregon Territory, or Emigrant’s Guide, Philip L. Edwards, 1842.
Fallen Fruit (David Burns and Austin Young), Apple Wallpaper (Paradise edition), dimensions variable, 2015 This custom designed wallpaper echoes the 19th century and the era of the founding of art museums in the United States.
By the 1850s, the rutted Oregon Trail ferried large numbers of settlers into the heart of the Willamette Valley. A steady diet of florid guidebooks promised a fecund new Eden where everything grew. Oregon came packaged as a vision of “paradise,” ripe with possibility and a symbol of Westward Expansion and Manifest Destiny.
The artist collaborative Fallen Fruit will explore Oregon’s paradisiacal backyard through the lens of Portland Art Museum’s permanent collection. Based in Los Angeles, artists David Allen Burns and Austin Young create site-specific projects using fruit to examine concepts of place, history, and issues of representation often addressing questions of public space.
The apple is a fruit that has come to represent the hearty bounty of the Northwest with deep connections to the landscape and of westward movement. It’s often a symbol of moral questioning and serves as a metaphoric reference to the Garden of Eden. In Paradise, Fallen Fruit will create an eye-popping immersive art installation in the Arlene and Harold Schnitzer Sculpture Court using the Portland Art Museum’s permanent collections to thematically explore concepts of “paradise,” sublime landscape, and the greater Northwest.
David and Austin studying the “anchor” painting, Mount Hood by Albert Bierstadt, 1869 for Paradise.
Bonnie Laing-Malcolmson, the Arlene and Harold Schnitzer Curator of Northwest Art and Stephanie Parrish, Associate Director of Education and Public Programs in front of Floral Arrangement After Bierstadt, Sherrie Wolf, 2003, 2004
Fallen Fruit of Portland
Paradise is part of Fallen Fruit of Portland, a suite of five site-specific projects taking place throughout Portland in October and November 2015. Other Fallen Fruit of Portland projects include Urban Fruit Trails, The Geography of We (a youth curated exhibition at Weiden+Kennedy Gallery), Division of Identification, and the commissioning of eight Oregon-based artist projects. All projects are presented by Caldera and funded by a Creative Heights grant from The Oregon Community Foundation. For more information on the Fallen Fruit of Portland projects or Caldera, please visit here.
About the Portland Art Museum
The seventh oldest museum in the United States, the Portland Art Museum is internationally recognized for its permanent collection and ambitious special exhibitions drawn from the Museum’s holdings and the world’s finest public and private collections. The Museum’s collection of more than 45,000 objects, displayed in 112,000 square feet of galleries, reflects the history of art from ancient times to today. The collection is distinguished for its holdings of arts of the native peoples of North America, English silver, and the graphic arts. An active collecting institution dedicated to preserving great art for the enrichment of future generations, the Museum devotes 90 percent of its galleries to its permanent collection. The Museum’s campus of landmark buildings, a cornerstone of Portland’s cultural district, includes the Jubitz Center for Modern and Contemporary Art, the Gilkey Center for Graphic Arts, the Schnitzer Center for Northwest Art, the Northwest Film Center, and the Confederated Tribes of Grand Ronde Center for Native American Art. With a membership of more than 18,000 households and serving more than 350,000 visitors annually, the Museum is a premier venue for education in the visual arts. For information on exhibitions and programs, call 503-226-2811 or visit portlandartmuseum.org.
Caldera Presents
Fallen Fruit of Portland!
Join us for a day of free events and site specific artworks created by artist collaborative Fallen Fruit (David Burns and Austin Young), Natalie Ball, Bill Cravis, Bruce Conkle, Tahni Holt, Aaron Lish, Jess Perlitz, DeAngelo Raines, Caldera Youth and the Portland Art Museum.
A Day in Paradise
Saturday, October 24, 2015, 10am-8pm
Everyone is invited to participate! Paradise will move from the museum onto the park blocks and into downtown Portland. A Day in Paradise will celebrate the opening of ‘Paradise’ at the Portland Art Museum by Fallen Fruit (David Burns and Austin Young) and an exhibition project created by Caldera Youth called the ‘Geography of We‘ opens concurrently at the Weiden+Kennedy Gallery. The public is invited to observe, interact and help create collaborative art making that is inspired by the history of Portland, themes of paradise and of course, the apple.
War Hoop with us! We’ll make a Magazine together! Share poems and songs with the river! Become a monument! Enter the right hand of the fellowship! Watch a rock move rocks!
EVERYTHING is FREE!
Natalie Ball, Warhoop Flashmob
2pm, Location: Portland Art Museum
Natalie will facilitate War Hooping as used in battle by Native Americans across the country. Also known as a battle cry, Li-Li is a vocal projection used for intimidation, celebration, and energy charge. Women use Lii-Lii which is a tongue/vocal projection that is LOUD! They still do them today. Natalie will bring people from her tribe to do Lii-Lii, but everyone in the attendance will be invited to participate with them.
Johnny Rotten Appleseed 2015
Bruce Conkle Paradise Lost
6 – 8pm, Location: RACC Building, 411 NW Park Ave
Bruce Conkle, “Paradise Lost” Bruce Conkle has created apple inspired drawings from history, mythology, and pop culture. He will electronically and astrally project these images outdoors on a large wall along the Park Blocks.
Bill Cravis, ?A Monument for Bicyclists
Noon – 4pm, Location: South Parks Block by the equestrian statue of Theodore Roosevelt across from Portland Art Museum
Portland bicyclists become temporary “living statues” in the South Parks neighborhood, alongside the equestrian statue of Theodore Roosevelt. A small replica of the concrete plinth supporting the Roosevelt statue will be placed near to the original. Bicyclists will be invited to become temporary “living statues” atop the miniature plinth, which will be photographed. These urban bicyclists will be displayed as today’s heroes – contemporary mavericks who play an active role in reducing the threat of global climate change. Photos will be placed online so that participants can download them.
Tahni Holt, ? apples & pomegranates
1 & 3pm, Location: Portland Art Museum
Building on the mythological idea of Eve eating the apple in the Garden of Eden, this is a solo dance performance that walks the fault line between rejected female stereotypes and embodied expression, wrestling with first impressions, assumptions and associations, motherhood, sensationalism, emotionality, sexuality, an image/timebound body, and the body in the present moment. Sound Score and technical support by Luke Wyland
Aaron Lish?, Sweet Nothings and Other Stories.
Noon – 5pm, Location: along the Willamette Riverfront trail at Ankeny (near the Bill Naito Legacy Fountain)
To celebrate the Willamette River, the public is invited to share stories, poetry, songs, etc. with the River as receiver / audience. There will be an installation at the Riverwalk overlook just south of the Saturday Market that will conduct your voices down to the water. The site is right near the Bill Naito Legacy Fountain, which memorializes the names of those who helped make Portland what it is today. But the Willamette River is not on that list of names. “Sweet Nothings and Other Stories” has been created to celebrate the River in a new and different way, where your sharing is a form of gift to the River.
Jess Perlitz Rock moving rocks 11am-4pm, Location: The route for the rock will begin near the Hawthorne Bridge moving along the Eastbank Esplanade, over the Tilikum Crossing, ending at the Art Museum.
For a day, along the west shore of the Willamette River in Portland, the artist will be a rock and will move other rocks, engaging with the surrounding world. Inspired by landscape and landscaping, landmarks and monuments, natural disaster and our never ending attempts for control, this piece will be an action that unfolds over the course of 5 hours. The r?ock w?ill have arms and legs available so that it may move other similar objects, rest, and engage with people as needed. The rock does not talk. But it does try to communicate through music, action, and presence.
DeAngelo Raines, The Right Hand of Fellowship
Noon – 4pm, Location: South Parks Blocks at the Lincoln Statue
With the belief that barriers to identification can be overcome, DeAngelo Raines proposes a performative social engagement installation to exhibit multiple handshakes from 7 different archetypes of the adult African-American Male.
Fallen Fruit (David Burns and Austin Young)
The Division of Identification
All Day, Location: Throughout Park Blocks
October 24, 2015 - January 17, 2016 during Paradise ?exhibition at Portland Art Museum. DIVISION OF IDENTIFICATION
These selected portraits are sourced from a volume of police arrest mug shots found in the City of Portland Archives collections. Created by the Division of Identification, now the Police Identification Division, the photos date between 1947 and 1954. The body of works is presented as a photographic installation in public space that unmasks issues of humanity often camouflaged by social stereotypes and ill-repute of “the other.” The large scale black and white photographic portraits have been installed throughout the Park Blocks of Downtown Portland the same historic locations where people have been arrested for “vagrancy” or other social crimes. You can find a limited selection of the black and white prints for sale online. “The Division of Identification” is part of Fallen Fruit of Portland presented by Caldera through a Creative Heights grant from the Oregon Community Foundation. Caldera students will interview the public and each other about reactions to the portraits for broadcast on KBOO.
Fallen Fruit, Fruit Magazine Issue #2, PDX
Noon – 4pm, Location: Portland Art Museum
In one day the public, along with David Burns and Austin Young, will use fruit and its metaphors to create a limited edition contemporary culture magazine. Fruit Magazine‘s Portland specific content will feature native languages and visual vocabularies that reflect Portland’s diversity. “Fruit Magazine” will be published as a downloadable PDF accessible at w?ww.CalderaArts.org/FallenFruitPDX? and w?ww.fallenfruit.org/fallenfruitmagazine?
CELEBRATE The EXHIBITION OPENINGS:
Fallen Fruit, Paradise
October 24, 2015 January 17, 2016
Location: Portland Art Museum
This exhibition, on display in the Portland Art Museum’s Arlene and Harold Schnitzer Sculpture Court October 24 through January 17, More information can be found here.
Caldera Youth, The Culture of We
Location: Wieden+Kennedy Gallery 224 NW 13th Ave
October 24th – November 13
The Culture of We showcases the power of creativity through the voices of Caldera students. Inspired by Caldera’s environmental themes, student work displayed reflects unique youth perspectives, reactions, and inspirations surrounding “The Geography of We”. Artwork is installed salon style, and will create a dialogue of how the individual contributes to community. This exhibition highlights Caldera’s focus on the integration of art and nature and powerful work with special guest artists like Fallen Fruit.
UPCOMING: RSVP NOW!
Urban Fruit Trails, PDX
Saturday, November 14, 2015
Locations: TBD and located throughout Portland
Hey Portland! Anyone can participate! If you have space to plant near a sidewalk, can care for the tree, and include it on the Urban Fruit Trail map, please email us! info @ fallenfruit.org. Caldera and Fallen Fruit are producing an installation and public planting of approximately 200 fruit trees in community gardens, private homes, churches and businesses that allow public access to fruit. Caldera youth, their families, Caldera’s Arts Partner middle schools, along with the greater community of Portland will celebrate family stories and histories, local facts and historic lore along the trails through signs at tree sites and with an interactive online Urban Fruit Trails map. Trees will be geotagged for anyone to digitally view art, read stories, and look at videos inspired by the apple trees. P?artners: P?ortland Fruit Tree Project, Friends of Trees, Know Your City, Oregon Food Bank, Portland Art Museum, Root Pouch, Concordia University, Open School North and others to be announced.
Oregon Community Foundation Creative Heights Initiative Award
About Caldera
Established in 1996 by Dan Wieden, co-founder of the Portland, Oregon-based international ad agency Wieden+Kennedy, Caldera is a nonprofit organization that supports youth with limited opportunities through long-term mentoring and arts and nature programming, as well as provides fully subsidized residencies to adult artists. It provides year-round youth mentoring through 12 Arts Partner middle schools (six in Portland and six Central Oregon), high school programming, and summer camp at its Arts Center on Blue Lake near Sisters, Oregon. More information at www.CalderaArts.org.
Elizabeth Quinn is the Creative Director for Caldera. Previous to her work at Caldera, she was the Founding Editor of High Desert Journal, a publication that strives for a deeper understanding of the interior West through arts and literature. She also helped found Playa, a residency program in Summer Lake, Oregon, and was the Director of The Dalles Art Association. Having worked across Oregon, Elizabeth has developed in-depth knowledge of arts communities throughout the state and an understanding of the unique needs of artists from diverse backgrounds.
About Oregon Community Foundation’s Creative Heights Initiative
Through a four year initiative (20142017), the Oregon Community Foundation’s Creative Heights Initiative provides grants to help arts and culture organizations take strategic risks in the creation and dissemination of their work in Oregon, provide unique opportunities for Oregonians to experience innovative arts and culture, and to increase Oregon’s cultural visibility and vitality. more information here.
The Value of Food: Sustaining a Green Planet
The Cathedral Church of Saint John the Divine, New York
1047 Amsterdam Avenue @ 112th Street New York, NY 10025
October 6, 2015 – April 3, 2016 (Opening October 6 from 7:30pm on)
The Venue
Saint John the Divine, The Cathedral of the Episcopal Diocese of New York is proud to present The Value of Food: Sustaining a Green Planet, a contemporary art exhibition guest-curated by Kirby Gookin and Robin Kahn. The Cathedral is the world’s largest Gothic structure visited by more than one million people annually. With its long history of engagement with issues of social justice, the environment, support for the arts, and community empowerment, it is a unifying center of intellectual leadership and an exceptional resource center of educational and cultural exhibitions and programs.
The Exhibition
The Value of Food explores the dynamic and organic materiality of food and its integral role in sustaining human life. The artists in this exhibition work with food as a form of social engagement. Although their subjects and methodology vary, they each explore the intersection of food, art, commerce and community in order to engage the exhibition’s unifying theme: food justice.
We will also be presenting a variety of educational programs, workshops and evening events, some in collaboration with Mother Jones, Magnum Foundation and Grace Communications Foundation, as well as with artists and guest speakers.
Pull up a seat and join us at The Tables. Food becomes a meal only when it is shared.
PARTICIPATING ARTISTS
Suzanne Anker
Stefani Bardin
Anna-Sophie Berger
Pascal Bernier
Mike Bidlo
Matt Black
Mel Chin
Ines Doujak
Eating in Public
Coleen Fitzgibbon
Fallen Fruit (David Burns and Austin Young)
Fredericka Foster
Nancy Hwang
Christian Jankowski
Robin Kahn
Alison Knowles
Larry Miller
Vik Muniz
Jan Mun
Peter Nadin
Naoto Nakagawa
Tom Otterness
Claire Pentecost
Alexis Rockman
Christy Rupp
Laura Stein
Tattfoo Tan
Nigel Van Wieck
Kara Walker
Linda Weintraub
Peter Lamborn Wilson
With documentation and ephemera by additional artists involved in these many issues, including: Agnes Denes, Fluxus, Carol Goodden and Gordon Matta-Clark, Fritz Haeg, Corita Kent, Christien Meindertsma, Dieter Roth, Daniel Spoerri, Superflex, Rirkrit Tiravanija, among others.
For more information please contact:
Kirby Gookin: KirbyGookin@yahoo.com Robin Kahn: RobinKahn@yahoo.com
MOTHERPATCH by Fallen Fruit:
with the Coleman Center for the Arts (CCA) and the people from YORK.
Saturday, August 22nd from 10 AM to 12 PM
The Harvest Celebration of Motherpatch, a new public art project by Fallen Fruit .
There was free watermelons for EVERYONE in York, a watermelon race, seed spitting contest. and we wrote down memories and advice we got from our MOTHERS. Everyone was encouraged to ‘Spit your seeds’ so that watermelons will continue to grow throughout York!
Motherpatch is the largest public watermelon patch in the world, containing over 30 global varieties of watermelons. The project is Fallen Fruit’s collaboration with the CCA and the people of Sumter County that began in 2012, and has unfolded through ongoing conversation, creation and collaboration.
This event was made possible by funding from the Andy Warhol Foundation for the Visual Arts, The Visual Artists Network/National Performance Network, ArtPlace America, the Joan Mitchell Foundation, the Daniel Foundation of Alabama and the generous contributions of our individual sponsors.
Fallen Fruit ®
photos by ©Fallen Fruit
Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work.
Please join us at the Coleman Center for the Arts (CCA) outside on Avenue A on Saturday, August 22nd from 10 AM to 12 PM for the Harvest Celebration of Motherpatch, a new public art project by the Fallen Fruit.
Activities will include free watermelons for all (while supplies last,) a watermelon race (with prizes!!), and music!! Please also join us in sharing memories and advice you got from your mother, as we honor mothers with these delicious seeded watermelons!
This event is free and open to the public! All are welcome! Free watermelons! Free food! Free fun! Come and join us and remember to “Spit your seeds!”
Motherpatch is the largest public watermelon patch in the world, containing over 30 global varieties of watermelons. The project is Fallen Fruit’s collaboration with the CCA and the people of Sumter County that began in 2012, and has unfolded through ongoing conversation, creation and collaboration.
This event is made possible by funding from the Andy Warhol Foundation for the Visual Arts, The Visual Artists Network/National Performance Network, ArtPlace America, the Joan Mitchell Foundation, the Daniel Foundation of Alabama and the generous contributions of our individual sponsors.
JOIN US! for a Public Fruit Jam
Sunday, August 16, 11am – 2pm
One Colorado Courtyard – 41 Hugus Alley, Pasadena CA 626.564.1066
*This fruit-filled event is supported in part by Whole Foods Market
Join us for a fun and friendly day of making jam and new pals! Fallen Fruit’s Public Fruit Jam is a wonderful social and community-building event that’s perfect for kids, adults, families and even first dates.
Folks are invited to drop by the courtyard anytime between 11am – 2pm for the Fruit Jam. Everyone is invited to contribute home-grown or picked public fruit to the cause.
Selecting fruit goodies from the communal fruit table, guests will join Jam Teams of 3 to 5 people. (New friends!) Your team’s jam ingredients can be anything you bring along or score at the fruit table. Fallen Fruit encourages experimental jams, such as basil guava or lemon pepper jelly. You can even add a kick of jalapeno or bite with some fresh ginger. Almost all fruits can be jammed, even bananas – if you dare!
Each jam session runs approximately 45 minutes from cutting to preserving. Fallen Fruit staffers will be on hand to help out. In the end, you will have jam to keep, swap and contribute to the tasting table where you can savor the fruits of your labors. And who knows – you may also leave with a new BFF or adorable meet-cute story!
We are grateful to Whole Foods Market for supporting this event (and local farmers!).
Fallen Fruit invite you to experience your City as a fruitful place, to collectively re-imagine the function of public participation and urban space, and to explore the meaning of community through creating and sharing new and abundant resources. Fruit Trees! Share your fruit! Change the world! Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. Fallen Fruit began by mapping fruit trees growing on or over public property in Los Angeles. The collaboration has expanded to include serialized public projects and site-specific installations and happenings in various cities around the world.
About One Colorado:
One Colorado is a collection of 17 historic buildings housing a curated mix of nationally acclaimed retailers and designers, unique local merchants, inventive restaurants and a boutique cinema. A full city block located between Colorado, Union, Delacey and Fair Oaks, One Colorado is the retail centerpiece of Old Pasadena and favorite casual gathering place for the greater community, with public events hosted year-round in its central courtyard.
Urban Fruit Trails! Fallen Fruit’s public artwork extends to Riverside!
Urban Fruit Trails is a network of walking trails, populated with fruit trees and planted, tended, and harvested by the public. Anyone can become a part of this project collaborate with us: Urban Fruit Trails All of these fruit trees will become part of a network of Urban Fruit Trails and our upcoming public artwork with Creative Capital: Endless Orchard
Urban Fruit Trails portraits commissioned by the Riverside Art Museum for Artmake 2015
On Saturday, February 21 from 12-3pm at Lincoln Park in Eastside, Fallen Fruit with Riverside Art Make, Riverside Art Museum, Eastside residents and volunteers to install Riverside’s first “Urban Fruit Trail!- Fallen Fruit’s public artwork in Riverside! We planted 18 trees in Lincoln Park t and extended the trail throughout the neighborhood.
More info HERE
Please understand, that these are bare root fruit trees, and must be planted the same day of the event (If possible , we will help you). All of these fruit trees will become part of a network of Urban Fruit Trails and our upcoming public artwork with Creative Capital: Endless Orchard.
Riverside Art Make is supported by a grant from the James Irvine Foundation.
Here are some of our favorite projects from 2014:
SKIRBALL CULTURAL CENTER: Fallen Fruit of Love
curated by Lindsey Lehtinen
The residency project for the Skirball Cultural Center focused on Jewish Heritage and in the archives of the institution we discovered a 17th Century Katubah (marriage contract). This historic document was different in that it combined the doctrine of marriage with illustrations of biblical scenes, astrology and a pomegranate. Fallen Fruit created a custom designed Pomegranate wallpaper and invited the public to collaborate on a new commitment document and exhibition. Drawing on submissions of portraits of people with someone they love, Fallen Fruit of the Skirball assembled images that span a lifetime to examine the often complex expressions of love. This exhibition examines the symbolic and narrative moments in everyday life, from friendships to marriage, as well as to nuanced social messages. It includes a Skirball commissioned piece from Fallen Fruit called Love Score, as well as custom-designed Pomegranate wallpaper.
PHOTO ALBUM
Skirball Post
FALLEN FRUIT: Public Fruit Tree Adoptions
Fallen Fruit distributes free bare-root fruit trees in a variety of urban settings. This year the trees were donated by Skirball Cultural Center and One Colorado. We ask that the fruit trees are planted in public space or on the periphery of private property next to a sidewalk or a road, in order to create new kinds of communal life based on generosity and sharing. Each recipient signs an adoption form promising to care for the tree – initiating a relationship with it. Eventually the trees will become part of a network of Urban Fruit Trails on the Endless Orchard.
Skirball Cultural Center
One Colorado
PELICAN BOMB: The Fruit Doesn’t Fall Far From The Tree
(commissioned artwork for Prospect 3+)
Part of the Foodways Exhibition curated by Pelican Bomb
The Fruit Doesn’t Fall Far From The Tree. An installation of of Peach Wallpaper and installation comprised of public fruit portraits in found frames, historic photographs and selected paintings and sculptures from historic archives of Atlanta; including Hammond’s House, The Souls Grown Deep Foundation, The History Center, The Wren’s Nest and others. All of the works collectively explore the relationship of people and place through the cycles of modern life that span images and works of art from the past 4 generations of Atlantans. Originally created for Atlanta Contemporary Art Center and curated by Stuart Horodner.
Photos from the exhibition
FALLEN FRUIT: Urban Fruit Trails
A Public Art project with Heart Of Los Angeles (HOLA)
Through a grant supporting innovative community focused art projects awarded by the Robert Rauschenberg Foundation in collaboration with the Los Angeles State Historic Park and HOLA Youth, the Urban Fruit Trails is a ground-breaking public art project designed to provide several often overlooked urban communities with public walking trails connected by fruit trees that will be sustained, nurtured and harvested by the public. This is the pilot for our upcoming Creative Capital awarded Endless Orchard project.
FALLEN FRUIT: Public Fruit Jam
Park to Playa Trail with MRCA, The Coleman Center in Alabama and One Colorado in Old Pasedena.
Fallen Fruit invites the public to bring homegrown or street-picked fruit and collaborate with us in making a collective fruit jams. Working without recipes, we ask people to sit with others they do not already know and negotiate what kind of jam to make: if I have lemons and you have figs, we’d make lemon fig jam (with lavender). Each jam is a social experiment. This year we brought them to public spaces and in the past we have held them at galleries or museums, this event forefronts the social and public nature of Fallen Fruit’s work, and we consider it a collaboration with the public as well as each other.
Park to Playa at Kenneth Hahn Park
One Colorado in Old Pasedena
Coleman Center, York Alabama
FALLEN FRUIT: Lemonade Stand
(commissioned artwork for Food For Thought)
“Lemonade Stand” – Fallen Fruit , 2014, David Burns and Austin Young a group portrait of Greensboro as Lemons. part of the exhibition Food For Thought. In exchange for a cold glass of lemonade, participants are asked to create self-portraits using black ink markers on lemons and to share stories of sadness and disappointment, or happiness and positive self-reflection. With curator Xandra Eden for the show Food For Thought at the Wheatherspoon Art Museum, we installed the Lemon Selfie’s in vintage frames on top of our Lemon Wallpaper for the exhibition. Our favorite new project, we did 6 ‘Lemonade Stand’s’ this year!
Weatherspoon Art Museum, Greensboro, NC
Park to Playa – Reuben Ingold Park
Food For thought
Riverside Art Museum
Park to Playa -Kenneth Hahn State Recreation Area–
Fallen Fruit of the Skirball
METRO Art Tour – Union Station
THE HAMMER MUSEUM: Fruitique!
As part of the LA2050 project ArtsRestoreLA, Fallen Fruit created a pop-up retail store based upon Fallen Fruit commissioned projects. The project space called “Fruitique!” is a retail art installation where anyone can buy any thing in the installation. The curated space was themed around fruit as a subject and symbol and includes original works by 50 artists from Los Angeles and abroad. The Fruitque! was reviewed by The Los Angeles Times, The LA Weekly, Forbes, and more.
the Fruitique is online!
QUEENSLAND GALLERY OF MODERN ART: Pineapple Express
(commissioned artwork for Harvest Exhibition)
Curated by Ellie Buttrose as a commissioned work for the HARVEST exhibition Fallen Fruit created a body of new works that focused on the history of Brisbane, Australia. Pineapple became the theme of the projects, as we learned that pineapple plantations are what founded that region of Australia about 100 years ago and introduced canned fruit to the world.
photos from GOMA.
GULF COAST: Fruit Metaphors, Objects and Histories
Legier Biederman wrote a terrific text piece about recent Fallen Fruit projects. Focusing on The Hammer project called Fruitique! and also The Fruit Doesn’t Fall Far From The Tree for Atlanta Contemporary Art Center and Pelican Bomb for Prospect 3+. The layout is stunning! The writing is on point! In fact, there are even rumors that a book filled with similar pieces of work might be published next year. Although the book is still in the early stages, Biederman will definitely have to research how to market a book like this one at some point during the creative process. A book of this kind will undoubtedly receive heavy promotion in art galleries and at exhibitions so we cannot wait to see what the future holds for this upcoming piece of work. Like their local fruit cartographies, much of Fallen Fruit’s work examines issues of urban space and community and incites public participation, as in their public fruit jams or lemonade stand at the 2013 Athens Biennale. They are also known for their photographic portraits, experimental documentary videos, and curatorial work. In these diverse projects, fruit serves as a filter to examine distinct places, official and unofficial collections, archives and histories, as well as issues of representation and ownership.
view the magazine here.
Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. By re-imagining public space, we aim to make fresh fruit available to everyone, everywhere.
Featuring interviews with the Los Angeles art collaborative Fallen Fruit (David Burns and Austin Young), this behind-the-scenes look at “Fallen Fruit of the Skirball”—curated by Linde Lehtinen and on view at the Skirball Cultural Center May 13-October 12, 2014—traces the evolution of the multi-phase project. Inspired by a seventeenth-century ketubbah (marriage contract) in the Skirball Museum collection, the public participatory art commission features a specially designed pomegranate wallpaper, a salon-style display of portraits of people who love each other, and a “Love Score” that artfully incorporates the public’s thoughts on love and relationships.
Los Angeles art collaborative Fallen Fruit (David Burns and Austin Young) and the Skirball Cultural Center have come together to produce an immersive art installation that celebrates Jewish heritage, relationships, and love. Experience this new public participatory art commission through October 12. Free to the public. more info here.
Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener, and Austin Young. Since 2013, David and Austin have continued the collaborative work.
We really need your help! Fallen Fruit has been collaborating with Hearts of Los Angeles (HOLA) in planting 150 trees along an ‘Urban Fruit Trail’ that goes from Lafayette Park to MacArthur Park. We already planted 18 trees in Lafayette Park and We were granted approval by the City of Los Angeles to plant 12 mature citrus trees in McArthur Park in Westlake near Downtown Los Angeles!
We had a setback on monday and all 30 trees we planted so far along Wilshire Blvd and Lafayette park were vandalized. We replanted them (see the ABC7 story here) but we need your help more than ever.
Fallen Fruit would like to name a tree after you (or someone you love).”Sponsor” one or more of 12 citrus trees for MacArthur Park. A beautifully mature citrus (grapefruit, orange, lemon, etc) runs $600 and $800 to purchase and plant. It’s a tax deductible donation through our fiscal sponsor. The name for the fruit tree will exist on the Urban Fruit Trail map and online map.
Use a credit card to make a tax free donation here.)
and Join us for the a celebration in MacArthur Park on Sunday July 20th from 4pm to 6pm!
warmly,
David Burns and Austin Young
LA Times story here
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ABOUT URBAN FRUIT TRAILS
Imagine the City of Los Angeles as a bountiful landscape with streets lined with public fruit trees. The artists of Fallen Fruit (David Burns and Austin Young) are working with Heart of Los Angeles (HOLA) and local communities in the Westlake neighborhood to create the City’s first “Urban Fruit Trail” – over 150-fruit trees along a walking trail, will be planted, nurtured, and harvested by the public – in the MacArthur Park neighborhood.
Last month, the Urban Fruit Trails launched when 12 fruit trees were planted in LaFayette Park. This coming week, 12 citrus trees are being planted in MacArthur Park – with thanks to the City of Los Angeles Department of Recreation and Parks. This is truly groundbreaking and exciting for Los Angeles – we are re-imaging our green space.
We are planting the perimeter of LAUSD’s high school campus at YOKA in Koreatown near the Wilshire/Vermont METRO station with a public orchard that will be cared for by the students as part of the Urban Fruit Trail and we will plant fruit trees that connect these public trees in a network of trails along parkways ( the strip of growing space between the sidewalk and street in front of a building or private home) and next to sidewalks . We’d love to have you join our project that will transform the neighborhood into an “community garden.” In addition to creating a fun, beautiful – and drought tolerant – walking trail with delicious free and healthy fruit for the community; planting 150-fruit trees will help reduce air, water, soil, noise pollution and crime statistics in the area.
There are several ways to get involved and we would love to share them with you. Just reply by email and let us know how to contact you.
Thank you for your time and support!
Vivas las frutas!
David Burns and Austin Young
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ABOUT THE COLLABORATION
The Urban Fruit Trail is the pilot project for Endless Orchard, Fallen Fruit’s groundbreaking global-scale public art project, which will transform often-underserved areas with a network of public walking trails lined by fruit trees. http://www.youtube.com/watch?v=KA9t95cpVZs
Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. find more info here. Fallen Fruit began in Los Angeles by creating maps of public fruit: the fruit trees growing on or over public property. Fallen Fruit uses fruit as a common denominator to change the way you see the world.
Heart Of Los Angeles provides underserved youth with exceptional programs in academics, arts and athletics within a nurturing environment, empowering them to develop their potential, pursue their education, and strengthen their communities: http://heartofla.org
In neighborhoods often overrun by poverty, crime and a feeling of hopelessness, Heart of Los Angeles invests in youth to build stronger communities. Heart of Los Angeles gives some of the city’s most vulnerable youth a chance to succeed in life. HOLA provides underserved youth with exceptional programs in academics, arts and athletics within a nurturing environment, empowering them to develop their potential, pursue their education and strengthen their communities. From what started with just a handful of kids in a dilapidated gym, Heart of Los Angeles now serves over 2,400 youth ages 6-24, in a safe and supportive environment. As we celebrate our 25th anniversary, Heart of Los Angeles is stronger than ever, and this is just the beginning of exciting things to come.
additional sites:
HOLA
ARTBOUND
“Now a cheeky trio of artists have turned fruit trees into cultural symbols as well. The group, known as Fallen Fruit, recently planted what is being billed as the state’s first public fruit park in an unincorporated community with neatly clipped lawns outside Los Angeles.”
